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Architecture of the Renaissance reflects the earlier works of the Roman, Byzantines, Moslems, and many other civilizations. The S. Pietro No. 1 was begun in 1564 and was designed by Michelangelo Buonarroti, and Carlo Maderna. Many components of this structure reflect their foreign influences. The large, ominous dome along with the two smaller, less intimidating ones confirm the Byzantine style had entered the Renaissance. Grand, elaborate columns demonstrate Roman and Greek style of temples. An ornamental façade decorates the entrance to the palace and represents more Roman culture. Throughout the building, high arches form the doorways. In the side view, they are evident on the smaller dome, also. Again, Roman culture has proven to have infiltrated the Renaissance style. Sculptured shells adorn the larger dome, and a stone mullion made of two columns and a stone vertical bar separates each window, two structures also found on the Pantheon. All of these elements combine to form this magnificent representation of Renaissance architecture. Much of the Renaissance literature had its basis in Greek lyrics.
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